Sharing My Gift - by
Waking Spirit
The 6 Hole Pentatonic Native American
Flute
Note to all Flute Makers, Tutors
and Students of Native American (Style) Flutes:
It is a genuine and paramount
mission in my lifetime to help progress, educate and preserve
the continuance of the Native American Flute. In keeping
with this I freely offer (and at no cost) any of the flute
image files on this page to anyone who wishes to use them.
If you are a Tutor and wish to copy the flute images set
out on this page for duplication onto tablature sheets, please
feel free to do this. Should you use any of the images for
the development of web pages pertaining to a mission in keeping
with mine, again, please feel free to do this. All I ask
in return is that credit for the images be given to Waking
Spirit Flutes and that you copy and paste (or download) the
images onto your own computer and not link them directly
to this web site.
Waking Spirit - Being true
to himself and his mission by continuing to share 'The Gift'.
. .
Welcome to the wonderful world of
playing the Native American flute! The instructions
and information contained in this page have been written
to help you on your journey and quest for knowledge and
I hope you find the contents both informative and useful.
Whereas these instructions will help you commence your
journey into playing your flute, they are by no means complete.
Further study will be necessary and I have recommended
additional reading and literature at the foot of this page.
The first thing you need to do is
to understand how your Native American flute works. This
will help you set up your flute for maximum playing ability
and tone.
When you first receive your flute it is more than likely that the BIRD
(or Block) may have been moved from its original position and this needs
to be checked and rectified before commencing to play your flute. This
can be done very quickly and simply! First, make sure the block is sitting
squarely on the bridge and that the front edge of the block is close to
the edge of the sound hole without covering any part of it. Also, make
sure the leather thonging that holds the block onto the flute is tight.
Cover all the FINGER HOLES with the first three fingers of both hands with
the fleshy part of your fingers - the fleshy part being the soft cushion
area between the end of your finger and the first joint. Next, place the
BLOW HOLE end of the flute to your lips taking care NOT to insert the end
of the flute into your mouth but merely place the flute gently upon your
bottom lip and allow your top lip to surround the blow hole to a gentle
seal.

With all the finger
holes covered, blow gently into your flute. If the note
you hear is crisp, clear and steady, begin lifting your
fingers off the finger holes starting from the lowest hole
- the hole farthest away from the bridge. Continue to do
this for every note checking to hear that each note is
clear and crisp. If any notes are not playing correctly,
adjust the Bird by sliding it back towards the blow
hole. The adjustment necessary will be very slight so be
very careful when you do this! An adjustment of just one
sixty-fourth of an inch can make all the difference to
the playing ability of your flute. Once you have the flute
set you are ready to begin playing it.
There are several techniques that you will need to learn in order to play
your flute effectively (breath control, finger control, note bending, tonguing,
slurring, double tonguing and vibrato) but, for now, we will just concentrate
on making your flute play some basic notes using two simple techniques.
The first is the simple technique of blowing a gentle and constant stream
of air into your flute.

Practice this for a few moments
or until you feel comfortable that you have mastered
this technique.
The second technique is called 'tonguing' and is achieved by blowing
into your flute with a soft 'dooo' sound.

Again, practice this technique
for a few moments or until you feel comfortable that you
have mastered it.
Now let's learn some scales:
The black holes are those you have
covered with your fingers. The additional fingerings,
as in note 5, will depend on your flute and how the flute
maker has created it. Experiment with your flute to establish
the correct sound.
This sound file will help you establish the correct notes that should
be heard although they may be in a different key to the flute you have.
The first sound file utilizes the steady
blowing method. The second sound file utilizes the 'dooo'
method.
Here are some more scales for you to learn
and practice your fingering with:
Major Scale
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1
Do
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2
Re |
3
Mi
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4
Fa
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5
Sol
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6
La
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7
Ti
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1
Do
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2
Re
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3
Mi
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4
Sol
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5
La
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Once you have
practiced and mastered the above scales you may feel
you are ready to practice playing your first tune. Below
is a fingering chart to the tune Amazing Grace. You will
notice that notes 8 and 27 are played by covering only
half the hole. This requires a certain amount of both
fingering and breath control so don't be too disappointed
if you cannot manage it the first time you try. Keep
practicing and you will soon master it! |
Basic Fingering
Chart for the Song ‘Amazing Grace’
Black notes are covered holes.
Notes half black and half white are 'half- holed' notes which
are difficult to play accutrately and are
seldom (if at all) used by even the most experienced of players
and professional musicians.
Notes either side of half-holed notes can be used in any arrangement
to replace half-holed notes.
(Also, see note at
the foot of this chart)
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A...
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ma...
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zing...
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grace
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That
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saved
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a...
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wretch
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I
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once
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was...
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lost...
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Native American Flutes are tuned differently
as each maker has their own method and desire
as to how a flute should sound. Originally,
flutes were not tuned to anything other than
how the maker constructed them and this tradition,
to some extent, is still carried on to this
very day.
If your flute is not tuned to the above, slight variations
of the fingering will produce the sounds you need and are
very easily found.
Other Recommended
Reading
There are many books available that will help you learn to
play your Native American flute but the one I have found
to be the easiest and most informative is by John Vanes and
is entitled 'The
Native American Flute - Understanding The Gift'. The book comes with
a CD which contains simple to follow instructions, sound
files etc and is available by clicking on the book title
above. It is also available from www.flutejourneyworkshops.com (or
by calling 1-888-884-9604).
Good luck with your journey and may you find peace and happiness
through the music you play.
Should you have any questions, need advice, or are not sure
about anything please feel free to contact me at
waking-spirit@waking-spirit.com and, please always remember,
you do not need to own a Waking Spirit flute to ask for advice.
My sole aim is to promote the Native American flute for both
you and future generations to play and enjoy.
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webmaster@waking-spirit.com
© 1998 - 2009. Vance Pennington - Waking Spirit Flutes. All rights reserved.
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